Showing posts with label Journal of Anthropology. Show all posts
Showing posts with label Journal of Anthropology. Show all posts

Saturday, 18 February 2023

Lupine Publishers | LEAP Science and Maths School– An Anthropologically- Grounded Education Intervention Model During COVID-19

 Lupine Publishers | Journal of Anthropology and Archaeology


Abstract

During COVID-19 the learning experience for students entirely from the lowest quintile of the South African Black population proved highly difficult after the South African government closed all schools in March,2020, especially for secondary schools. A remarkable values-driven culturally coherent Leap Schools of Science and Maths with six campuses utilized cell phones to continue teaching and engaging the students. The necessity was due to the inability of families of students to provide other internet connections. The new methodology of learning of Leap Schools includes the skill of teachers in consciousness-raising and the extraordinary resilience of the students. Students were grounded by LEAP methodology in both anthropologically designed activities and consciousness-raising and showed self-determination at a mature level surpassing the public school students as assessed by the Department of Education of South Africa.

Introduction

LEAP Science and Maths Schools have developed a valuesdriven culturally coherent school model as a successful approach to break the cycle of poverty for Black children living in the lowest economic category in South African township and rural communities. South Africa presently has the highest GINI coefficient showing the largest global difference between rich and poor. The model on which the Schools were founded by John Gilmour has for seventeen years worked to create schools where high expectations, self-liberating pedagogy, and a powerful sense of belonging to school and community, have reduced the huge drop-out problem and ensured access to pathways into economic productivity and responsible citizenship [1].
LEAP adopts a unique Life Orientation based approach to social-emotional learning leading to self-liberating consciousness development and life success. The model builds on the basic construct of circles of healing in which all LEAP students participate on a daily basis in difficult conversations unlocking personal insight and understanding opening the door to self-liberation and meta cognitive capacity for critical thinking. The success of the model is reflected in Table 1 in a number of areas of measurement and assessment including the following: academic results; measures of resilience and academic literacy; and post-school outcomes seen in.

Table 1. Comparison LEAP to Public Schools in national South African testsplus access to Universities and Pass rates.

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The real value of Life Orientation is “process intervention” relying on daily time spent in the facilitated process circle groups, results in accelerated learning in the subject areas of Maths and Science, subjects from which black children in South Africa were barred prior to 1994. This approach applies conscious focus on personal emotional development and liberating school structures intended to ensure appropriate cultural coherence has ensured the development of an African school model that tends to the child’s well-being through identity construction and development of intrinsic capacity for self-regulation.
The LEAP model assumes that moral courage derived from an education for cultural coherence is extremely likely to lead to personal agency and some degree of critical distance from students inherited beliefs by virtue of the inescapable differences encountered in the larger society. This daily encounter particularly with secular, materialistic difference is very likely to encourage critical reflection on ideas and convictions, certainly to a higher degree than is likely to be the case for many cosmopolitan people for whom principled encounters with difference are often incoherent or irrelevant. Perhaps most importantly, an education for cultural coherence may very well provide persons with a vantage point from which to critique a culture of mass conformity, consumerism and materialism; it also may provide each student with amoral foundation from which strength can be drawn in encountering social injustice.
LEAP embraces the ancient African philosophy of Ubuntu as an African alternative basis for quality education to the rugged individualism often projected as the mark of potential progress as discussed by Prof. John Volmick (Figure 1).” Ubuntu has the potential to influence all spheres of people development and of governance”.

Results

Application of African Active Leaning and consciousness training to Pandemic constraints with positive outcomes for Science and Math learning (Figure 1 and 2).

Figure 1: Concept of Ubuntu by various Educational authorities in South Africa. AT right, Prof. Joh Volmink, University of South Africa and Ubuntu.

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Figure 2: Photos of Action based- Leap learning regenerating endemic Spekboom native habitat plant prior to European colonization decimation including with livestock. Spekboom provides Carbon sequestration for Climate change, Biodiversity habitat, soil enrichment, water retention services to citizens. LEAP students in action-based learning projects planting endemic, carbon-sequestering Spekboom – children in regenerative projects as change agents.

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Digital Integration in LEAP Schools in 2020

While the bulk of the Western world and privileged schools in South Africa are able to switch to online teaching and learning platforms, most South African schools are in no position to do this given that they are working with children who generally do not have access to suitable devices or connectivity. The reality is that in times of disasters of the nature of Coronavirus, communities served by the LEAP Science and Maths Schools, have been at risk of suffering the consequences most severely. It remains a great challenge within the Sustainable Development Goal framework that the Corona virus pandemic could further widen the digital gap and increase poverty. All LEAP students come into the school having had limited access to the internet and generally only access via cell-phones. LEAP does not provide or facilitate the acquisition of devices for the children. This is directly parallel to the children in state public schools. However, when the lockdown commenced, LEAP activated access to cell-phones through communication with families to encourage the sharing of family phones for online communication and learning and the provision of phones for many students where there has been no family access and ensured that these students are able to be connected.

Results of Cell Phone Support

The results showed very high levels of student engagement throughout lockdown; social emotional support from teachers continued unabated; peer connection and peer learning groups continued and grew; and academic work continued. The Table 2 shows IXL skill progress summary: (Figure 3 and 4, Table 3)

Figure 3:LEAP Schools record of disciplinary fields of employment into which former students became engaged after 4 years of LEAP education. Products indicating important social outcomes of LEAP education are listed at left of table.

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Figure 4: Women form 66% of Leap students and graduates. Photos of recent Graduates, in Maths and in Science and cultural expression activities of music and dance along withCommunity child-care activities of LEAP.

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Table 2: L Skill Progress of LEAP students during cellphone learning of COVID-19 full lockdown, and partial lockdown period (12th grade in classrooms, with others by distance learning).(March 2020 through November 2020.)

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Table 3: The general charactertics of enhancement byLEAP education. And Prediction of intervention in school System of LEAP via its Leap Institute for Teacher training.

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Conclusion

The success of the LEAP Science and Maths Schools in South Africa is directly attributable to ensuring cultural coherence and exploring and affirming historical cultural context for all students. During COVID-19 lockdown the students were able to respond creatively using their family cell phones. This was a direct result of real learning purpose, and their intrinsically driven consciousness, as a consequence of the development of a strong sense of self and the internalised values of the African principles of UBUNTU cultivated through the LEAP pedagogy of self-liberation.

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Friday, 16 December 2022

Lupine Publishers | Relative Chronology of the Historical and Cultural Sites of Yazd-Ardekan Plain Based on the Archaeological Data

 Lupine Publishers | Journal of Anthropological and Archaeological Sciences


Abstract

Yazd-Ardekan plain is one of the most important plains in Yazd Province in terms of natural and human resources. Due to its location between different mountains, this plain provides a natural corridor to cross one of the most important transportation routes that connect the cities such as Qom, Tehran, and Kashan to the southern and southeastern regions of Iran. In the past years, scattered archeological activities have been carried out in this plain, the most important of which is the excavation of Gharbalbiz sitein Mehriz during several seasons. But, in recent years, several seasons of research have been done in this area, the maximum focus of which has been on Meybod Town and Rostaq region. During these activities, many sites related to the different cultural periods were identified, which include the time interval from the Epipaleolithic periodto the Qajar period. Also, the archaeological test trenches of the historical context of Yazd City have provided us with very good information about the Islamic Era, especially in the field of pottery, which shows that Yazd had been considered as one pole ofthis industry in some periods.

Keywords: Relative Chronology; Yazd-Ardekan Plain; Natural Corridor; Islamic Period; Pottery Comparison

Introduction

Yazd Province is one of the provinces in which the volume of archaeological activities has been very lowthat is why our knowledge of its archaeological data is very little [1]. But, in recent years, good activities have taken place in this province, leading to an increase in our awareness of its archaeological resources. Among these activities, three chapters of archeological test trenches in the historical context [2-4], archaeological survey of Rostaq region [5,6], the first phase of the archeological study of Abarkooh Town [7]. canbe referred, providing us with generally useful information.
The main focus of these activities is in the Yazd-Ardekan Plain, which is one of the most important population centers in the province due to its special natural location, containing about70% of the province’s population. These activities led to the discovery and identification of the sites that in terms of chronology can be dated from the Epipaleolithic period to the Qajar period. Although many parts of this plain have not been explored yet, this little available information can lead to thecorrect understanding of its chronological status (Figure 3 and 4).

Yazd-Ardekan Plain

Yazd-Ardekan Plain´s watershed with an area of about 1,595,070 hectares is located in the northern part of Yazd Province and covers about 12.1% of the total area of the province. This plain is spread in the northern latitude of 48 32-32 31 and eastern longitude of 59 54-57 52, in the central part of the Iranian Plateau, which is one of the most important plains in terms of natural and human resources and 6 major cities of the province, includingYazd, Mehriz, Taft, Meybod, Ardekan, and Ashkezar are located in this plain [8].
The plain is surrounded by Shirkuh Mountain Range in the south, Ahangaran and Morgh-e-Zard mountain in the west, Haft Admin and Hanza mountains in the east and Chakchak Mountain the north and leads to the Siahkuh with a general southeastsouthwest slope. The highest heights of this plain are Shirkuh peak with the height of 4075 meters and its lowest point is Siahkuh Desert with the height of 970 meters above the sea level (Figure 1 and 2).

Figure 1: The location of the city of Yazd in Iran and the south west of Asia.

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Figure 2: Location of Yazd-Ardekan Plain among the mountains of the province.

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Figure 3: Location of identified areas in the Meybod area.

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Figure 4:Location of identified areas in Rostaqarea.

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The climate of this plain is extremely dry and desert. In the past, several qanat provided water for the residents of the plain;but, today, due to their drying, deep and semi-deep wells have replaced them [9]. The most important vegetation that can be seen on the surface of this plain is hawthorn and tamarisk trees, which are specific to the desert areas. Today, in order to prevent the advancement of quicksands, the government has planted these plant species on a very large scale and they have been able to adapt well to the environmental conditions.

Relative chronology of Yazd-Ardekan Plain

Prehistoric Period

One of the sites of Yazd-Ardekan Plain where prehistoric artifacts have been identified is Meybod. The works related to this period are dated from the Paleolithic period to the Iron Age. The main cultural materials that have been obtained from this period include pottery and stone artifacts. Stone artifacts include various types, including chips, blades, perforators, and cores that could be formed for tool-making after chipping (Figure 5). The mentioned tools had been mostly made of siliceous and calcareous chert stones in different liver, milk, gray, brown, and black colors, mostly using the rubbles of the region [10].

Figure 5: An example of cultural evidence obtained from the Meybod region.

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Pottery is also divided into two categories. Plain pottery, which mostly had an orange fabric and was tempered with coarse sand and straw. In addition, shredded copper slags was used as the temper. Their inner and outer parts were covered with an ocher slip.

Painted pottery is both well fired handmade and wheelmade. Their outer surface is decorated with geometric patterns, including horizontal parallel lines, solid triangles, hollow and short parallel and diagonal lines, wide bands, and etc. The surface coating and fabric are orange in color and their tempers are straw and coarse sand particles (ibid). In the excavations carried out in the Gharbalbiz sites, some artifacts were found that were located under the sedimentary layers of the sites, dating to the second half of the fourth millennium BC [11] Evidence of the Iron Age in this plain is very limited and some of its findings have been mentioned with suspicion only in the excavations carried out in Narin Castle of Meybod [12]. Although according to the results of the surveys and excavations conducted in recent years, it is possible to suggest a relative chronology for the prehistory of the Yazd-Ardekan Plain, providing a more accurate chronology is needed to complete the surveys and study the obtained the data.

Achaemenid Period

According to the studies, some sites of Yazd-Ardekan Plain can be attributed to this period. The scattered pottery on the surface of these sites has a paste of pea, red, and gray colors, with higher percentage belonging tothe red paste. Also, in most cases, the inside and outside of the container is covered with the pea or red slip and sand temper is used in the clay. Pottery has a good variety, including shallow bowls with small vertically rotated edges [5]. Comparable samples were obtained from the sites of Kahoor Langarchini [13], Pasargad [14] and Gharbaliz site [11].

Figure 6: AchaemenidPotteries of the Ashkezar area.

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Also, some samples are comparable to the pottery species obtained from the Persepolis Plain [15]. Additionally, some identified pottery species from Gharbalbiz Site have been dated to this period [12]. Other forms are bowls with curved edges to the outside and an open angle below the edge in the S shape, which were common in the sites of Pasargad [14], Persepolis [16], Gharbalbiz [12], datingback to the Achaemenid period (Figure 6 and 7).

Figure 7: Pottery of the Tudeh area.

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Figure 8: Some white and blue pottery obtained from the historical context of Yazd City.

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Parthian and Sassanid periods

The GharbalbizSite can be considered as one of the most important sites from which works related to the Parthian period have been obtained. As a result of the excavations carried out in this site, a trapezoidal structure with adobe materials has been identified, in some parts of which stone has been used for more strength. The main part of the building is located in the south and consists of two porches, two corridors on both sides and a small room in the south, surrounded by a thick fence, whose outer surface has been made of stone. Excavation in the southern part revealed a thick corridor and wall along the eastern part. In the northern half of the building, a central courtyard with three porches and a platform made of mud- brick are marked. According to the archaeological evidence, Gharbalbiz building is one of the few known ancient remains related to the Parthian period in the central Iran [17]. Also, the Parthian pottery of this site is comparable to the pottery of Sam Castle in the east of the country [12].

Some types of pottery obtained from the sites of Rostaq region are also comparable with the Parthian samples [18]. Most of these pottery have a red fabric and sand temper used inside. Pottery is wheel-madeand the effects of the pottery wheel are well visible on the body. These specimens arecomparable with the ones obtained fromthe northeastern Iran, Sam Castle and the Qomes Site [19].
Evidence has been obtained from the Rostaq region that may be dated to the Sassanid Period. The pottery is wheel-made and in most cases has a red fabric covered with a pea or red slipand its used temper is also sand. Among the obtained pottery species are bowls with raised edges and turned outwards, similar samples of which have been obtained from Yazdgerd Castle [20]. Other types of pottery are the ones decorated with carvings that are comparable to the samples obtained from the Sassanid period [21].

The Early Islamicperiod

Archaeologically, very little information is available from the early Islamic period in the Yazd-Ardekan Plain, except for some sites of the Rostaq region that can probably be dated to this period because some types of pottery are comparable to the samples obtained from Ras al-Kheimeh [22]. Archaeological excavations in the Meybod Town have not found any site that can be considered related to the early Islamic period. Due to the lack of the archeological activity, no correct information is available on the conditions of the sites in other parts of the plain.

Seljuk Period

One of the most important types of pottery that can be dated to this period is the splashed pottery, whose examples have been obtained in the soundages of the historical context of Yazd. This type of pottery, which mostly includes bowls and cups, has pea and red fabric,using sand temper inside.
Sgrafitto pottery was also one of the other data dated to this period. Like the previous type, the fabric of this type of pottery, is in red or pea colors using sand temperinside. The motifs that also decorate the dish are geometric and mostly include vertical or horizontal diagonal, wavy and parallel lines in their inner body. Comparable samples have been also obtained in the excavations of Alamut Castle [23] and Ghubayrā [24].
One of the identified sites in Yazd-Ardekan Plain, which can be dated to this period, is Malekabad. Although pottery dating to the Islamic Middle Ages has been scattered throughout the site, there are many specimens of the splashed glaze that can be dated to this period as well. The fabric of these pottery is mostly pea-colored and sand temper has been used inside them; also, in terms of form, they mostly include bowls and cups [18].

The Ilkhanid Period

In the Ilkhanid period, the region enjoyed good prosperity. In this period, after Al-Muzaffar government came to power, a new chapter began in the development of the region, so that the peak prosperity and cultural greatness of Yazd is related to the same time [25].
One of the most important sites from which works related to this period were obtained is the historical context of Yazd. In the test trenches made in this site, a large amount of data was composed of the pottery decorated with the under glaze-paintings, which was a common species in that period [26, 27] in the archeological literature, it is referred to SilhouettePottery (decorated pottery in black under a clear turquoise glaze). These potteries mostly have a pea-colored fabric made of sand temper. The cover of the mentioned pottery was mostly pea-colored mud, which after decoration was covered with the turquoise, green, or transparent glazes.
The motifs of the mentioned pottery are also geometric and plant [28] and in very few cases, the inscription has been also used to decorate the pottery [29]. Comparable examples with it were obtained from the sites such as Ghubayrā [24], the tomb of Sheikh Safi al-Din Ardabili [30], Alamut Castle [23], Golkhandan Bumehen Fortress [31] and Toos [32]. An example of tiles decorated in black under a clear turquoise glazehas been installed in the porch of the Yazd Jami Mosque, which has a date of 765 AH [33].
In the studies carried out in the Rostaq region, several sites related to the Ilkhanid period have been identified, among which we can mention Tudeh, Chahardeh and Khiyareh sites. In the Meybod studies, Ilkhanid sites have been identified, among which the areas of Jahanabad 2, Jahanabad 5, and Tal-e Mesgaran 6 can be referred [10].
Zarrinfam species was also obtained in the soundages of the historical context of Yazd City, most of which are related to the tiles and are decorated with plant, animal, and inscription motifs. Some of the discovered specimens have been made in the molded method [28) which can be compared with the specimens in the shrine of Imam Reza in terms of technique [34] and the Thakht-e- Soleyman [35].

White and bluesamples that can be confidently attributed to this period were not obtained except for a few cases, in which the container was comparable to the common dishes in the period in terms of form [28, 29] and an example of it has been obtained in Soltanieh excavations [32].

Timurid and Safavid period

According to the trenches made in the historical context of Yazd City and the identified sites in the Rostaq region, a lot of pottery evidence was identified that can be considered related to the Timurid period. These pottery evidences are mostly blue and white species that are decorated with plant, geometric, and animal motifs [36]. According to the results of XRD and XRF experiments performed on the mentioned pottery, Yazd can be considered as one of the most important centers for the production of such utensils.
Some found specimens are comparable with the ones in the Royal Ontario Museum [37], Uzbek History and Art Museum [38] and Metropolitan Museum [39].
From the Safavid Period, traces and evidences were identified in some sites, among which we can mention the Tudeh and Chahardah sites [18]. From the soundages of the historical context of Yazd, a lot of pottery evidence related to this period was identified [29]. White and blue pottery is one of the most commontypes of pottery in this period and some samples that are comparable to the obtained evidence are preserved in the Victoria Albert Museum [40], Ardabil Museum [41], and the Metropolitan Museum [42].
The decorative motifs of the mentioned pottery also include plant, geometric, animal, human, and in some cases, Chinese-style motifs, such as clouds, trees and animals, used in this regard. Shapes of this species include bowls, plates, vases, saucers, and cups.
Kerman pottery is another type that has been obtained in the studies and test trenches of the historical context of Yazd City. Their decorative motifs, which were common types in the Safavid period [43], include plant motifs painted with blue, white and black colors on a white background and finally a little green glaze covered them. The main production center of such dishes was Kerman City [44] and the obtained samples from Yazd are also comparable with them.
Celadon is another common species of this period that has been obtained in the excavations and surveys of Yazd region and can be compared with the samples obtained from Kerman [45].

Qajar Period

One of the significantidentified periods in the Yazd-Ardekan Plain is Qajar period. This period has been identified in the Meybod surface surveys such as Kachalag 4, Kachalag 5 and in the Rostaq such as Mazraeh Khan and Asrabad.
One of the characteristic pottery types of this period is white and blue pottery, which is much lower in quality than the samples dated to the Safavid and Timurid periods. The fabric of these pottery is made of kaolin (Porcelain) soil, and in terms of form includes bowls, plates, and saucers. The motifs that decorate these potteries are geometric and plant motifs, which in some samples have the potter’s signature and the date of its construction on the inner floor of the vessel.
Other evidence that has been obtained in some sites dated to this period are English-made porcelain decorated with plant and European motifs [6] and in terms of form, they mostly include a plate and a bowl.
Pottery decorated with under glaze-painting was also widely used in this period. This type of pottery mostly has a red or pea fabricin which sand temper has been used. The motifs are drawn in black on a background covered with the pea or red flowers, and the motifs are mostly geometric or plant. Glaze stains have been also used to decorate the dishes. These types of pottery have been identified in some sites of Rostaq region such as Mazraeh Khan [6] and are widely identified in thetest trenches of the historical context of Yazd [29].

Conclusion

Yazd-Ardekan Plain is one of the most important residential areas in Yazd Province, which has created a natural corridor that has caused the passage of one of the most important roads in the country. This has caused this plain to be noticed by the humans for a long time. The greatest concentration of the prehistoric works of this plain is in Meybod region. The oldest archaeological evidence is related to the Late Paleolithic period, which continues with ups and downs until the Iron Age. In the historical times, Rostaq region has been highly noticed and some siteshave been formed in this region. Although the sites related to this period have been identified from Meybod and Mehriz regions, the focus of the settlement is in Rostaq region.
There is not much information about the settlement status in the plain from the beginning of Islam; but, from the Seljuk Period to the Qajar Period, very good evidence has been obtained from the test trenches of the historical context of Yazd in addition to identifying different sites in the Meybod and Rostaq regions. It shows that Yazd region was one of the important centers of the pottery production in some periods such as the Ilkhanid Period (Al-Muzaffar government), whose products competed with other regions. Laboratory results also show that this area was one of the main centers for the production of white and blue pottery, which was equal to the Chinese samples in terms of quality.
Although according to the archaeological activities, we have a good picture of the chronological status of the Yazd-Ardekan Plain, the expansion of these activities can lead us to the better understanding of the archaeological status of this plain. Our knowledge of some of its areas such as Ardekan is still at a very low level and the scattered activities that have taken place in the Fahraj area do not provide us with accurate information. Also, the stratigraphy of some sites of this plain can complete our knowledge of its chronological status.

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Friday, 17 December 2021

Lupine Publishers | Towards a Corpus of The Inscriptions of Ottoman Buildings in Greece

 Lupine Publishers | Journal of Anthropological and Archaeological Sciences


Abstract

The amount of surviving inscriptions from the Ottoman Times in Greece is astonished. This paper is the first ever study announces these inscriptions throughout Greece in a quantitative approach. Through statistical methods, this research surveys the building inscriptions, proper to each region or in Greece as a whole. This article surveyed 684 inscriptions belong to 343 Ottoman buildings all-over Greece. Considering the language and the content of these 684 inscriptions, they comprise 1788 different texts. It shows with the help of two tables along with their charts with type, building function and region indexes the criteria of classification of these inscriptions considering the most common approaches comprising language, function, content, patron, stylistic features and region. It is also analyzing the surviving inscriptions of the Ottoman buildings in Greece considering these criteria with statistic evidences. The paper concludes with a suggested methodology in cataloguing the corpus of the inscriptions of Ottoman buildings in Greece.

Keywords: Inscription; Ottoman; Balkan; Greece; Epigraphy; Corpus

Introduction

The Ottoman existence in the present-day Greece began in 1361 AD, when the Ottomans took possession of Didymoteichon. The Ottomans ruled the present-day Greek territories for periods almost ranging between three and five centuries as the case in Thrace, Macedonia and Thessaly. During that period thousands of buildings were constructed under the Ottomans’ patronage throughout Greece. Though a large number of Ottoman architectural heritage in Greece has been demolished, due to different factors, still the extant Ottoman buildings in Greece represent, as a whole, one of the biggest well-preserved and varied collection of Ottoman architecture in the Balkans [1].

One of the most characteristics of Islamic art and architecture is the extensive use of lettering. The Ottoman art and architecture were no exception. Though, a large number of Ottoman inscriptions in Greece were lost, still the preserved ones represent, as a whole, one of the biggest well-preserved and varied collection of Ottoman inscriptions in the Balkans.

Inscriptions related to Ottoman presence in Greece could be classified into three main categories:

a) Building inscriptions.

b) Tombstones

c) Artifacts and numismatics inscriptions.

The latter group is very interesting and did not gain the deserved attention of the scholars yet. It basically presented via the objects including jewellery, swords, furniture, tools and coins that are found either exhibited or stored in the museums throughout Greece with special reference to the Numismatics and Benaki Museums at Athens, Museum at Arslan Pasha Mosque (Figure 1) of Ioannina, the Historical Museum (Figure 2) at Iraklion (Crete) and the Archaeological Museum (Figure 3) at Drama (Northern Greece).

Ottoman tombstones in Greece forming one of the most plenteous collections in the Balkans. Many historic cemeteries of hundreds tombstones are found in Greece especially in Komotini, Xanthi, Crete, Rhodes, Kos and Chios. Some collections are well documented as the case of Komotini [2], Rethymno (Crete) [3], but the others are still unknown. Some groups of tombstones are gathered in a dangerous way which may destroy them as in Iraklion (Figure 4).

Figure 1: A group of Ottoman swords exhibited in the museum inside the Arslan Pasha Mosque of Ioannina (@ Ahmed Ameen 2008).

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Figure 2: Ottoman numismatics exhibited in the Historical Museum at Iraklion (@ Ahmed Ameen 2016).

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Figure 3: Ottoman numismatics exhibited in the Historical Museum at Drama (@ Ahmed Ameen 2008).

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Figure 4: A group of Ottoman tombstones in Iraklion (@ Ahmed Ameen 2016).

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This research compiles only the inscriptions of the first category i.e. building inscriptions. This study counted 684 inscriptions related to 343 buildings throughout Greece. Considering the language and the content of these 684 inscriptions, they comprise 1788 different texts. For example, one inscription may include two or three different texts: a qur’anic quotation, and/or an invocation, and foundation text. Also, some inscriptions are bilingual or trilingual [4].

This paper provides a statistic inventory of the extant inscriptions of the ottoman buildings in Greece. Moreover, notes some considerations on this epigraphic material discussing their importance, numbers, categories and the different supposed ways of classification.

Classification of Inscriptions

Generally, Islamic inscriptions are classified according to multiple inputs, including language, historical period, calligraphy features, raw material where the inscription executed on, methods of execution, framework or general design of inscriptions, content, etc. The most common approaches of classification are language, function, content, patron, stylistic features and region.

Language

The language(s) of the inscriptions on Ottoman architecture in Greece came in Arabic, Ottoman Turkish (in Arabic alphabet), Modern Turkish (in Latin), Persian, and Greek.

Most of the inscriptions came, of course, in Arabic and Ottoman Turkish. Three surviving inscriptions in Persian, as far as I know, one is preserved in the Historical Museum of Iraklion, Crete, one of the türbe of Sheikh Hortaci (St. George Church, Rotunda) at Thessaloniki, while the third is inside the Arslan Pasha Mosque at Ioannina (Figure 5). These Persian texts refer to the presence of Sufi orders within Ottoman communities in Greece in particular, and in the Balkans as a whole.

Figure 5: The Arabic-Persian inscription of the central medallion of the interior of the dome of Arslan Pasha Mosque in oannina (First publishing, @ Ahmed Ameen 2008).

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Some inscriptions are also written in Greek, French and Italian, as well as in Modern Turkish; characterizing the last stage of Ottoman presence in Greece, and continued somewhat after the end of the ottoman rule of Greece, especially in Thrace.

Arabic was the main and official language of Ottoman foundation and historic inscriptions in Greece and the Balkans during the early ottoman period, which extended from the beginning until the early 16th century [5, 6]. The language of the inscriptions became significantly Ottoman Turkish, especially since the mid-16th century, by the end of this century it became the official language of the inscriptions as well as all aspects of culture and art in the Ottoman Empire. Numbers of the existing foundation inscriptions, classified in terms of language and date, clearly reflect this hypothesis.

Complete foundation, restoration or renovation inscription consists of five main elements [7]:

a) The basmala or qur’anic quotation or invocation to God.

b) A verb representing what was done.

c) The object of the work.

d) The patron’s name (and sometimes his titles).

e) The date of construction/restoration.

If an inscription bears the date of the foundation or restoration but missed one or more of these elements, I will name it as a short foundation inscription.

There are 367 foundation/restoration inscriptions, either full or short, of the Ottoman buildings in Greece comprising 54 in Arabic, 210 in Ottoman Turkish, 60 inscriptions in Greek, 4 inscriptions in Byzantine, 3 inscriptions in modern Turkish, two inscriptions in French, 9 inscriptions representing dates recorded in numbers only, and 25 inscriptions-some represent foundation inscriptions, others are informal personal inscriptions-written in more than one language, will be studied in detail in the second part of this research, bilingual and trilingual inscriptions.

This group of Arabic foundation inscriptions (54) composes a considerable number, especially if compared to any other country in the Balkans. The content of these inscriptions provides a wealth of data concerning their contemporaneous Ottoman community.

Worth mentioning, that 50 inscriptions from the 60 Greek ones belong to fountains ‘çeşme’ were found on the island of Lesbos ‘Mytilene’ [8]. The rest 10 Greek inscriptions belong to fountains and residential buildings distributed in the towns and villages of Komotini, Xanthi, Rhodes and Crete. Though, most of the patrons of the structures that bear Greek inscriptions were Greeks and not Ottomans, but these buildings were built during the Ottoman rule influenced by the Ottoman culture; characterizing late Ottoman period in Greece. The biggest bulk of the extant non-religious inscriptions of the Ottoman buildings in Greece is surely came in Ottoman Turkish language.

Function

Studying the building inscriptions in terms of function is a common approach. The inscriptions of each category of buildings are often alike in their content. Regarding the inscriptions of Ottoman buildings in Greece, as far as concerned, are divided according to function (Table 1, Chart 1) as follows: 117 inscriptions belong to Mosques, 118 to water works (109 fountains ‘çeşme’ and ‘şâdırvân’, 2 water reservoir, 3 springs, 2 baths ‘hammams’, 1 aqueduct and 1 bridge ‘Köprü’), 20 belong to educational buildings (17 to mektep, medrese, idâdî and rüşdiye, and 3 to libraries ‘kütüphane’), 17 inscriptions belong to tekke, imaret, and zawiya, 15 inscriptions belong to fortifications, 14 inscriptions belong to mausoleums ‘türbes’, 17 inscriptions belong to houses, 7 inscriptions belong to clock-towers ‘saat kulesi’, 4 inscriptions belong to commercial building (2 khans and 2 shops), 2 inscriptions belong to courts, in addition to one inscription belongs to a prison, and one to a customs building ‘gümrük’.

Studying the inscriptions in this regard helps to detect the change in the building function and the different names of the building of almost same function over centuries. This approach is useful especially if the research covering a long period as our case study. The various names of the educational institutions on the ottoman inscriptions comprising: mektep, medrese, idâdî, rüşdiye, dârülfünun, etc. show a good example.

Generally, text follows function; thus the content of the inscriptions of the buildings belong to the same function is somewhat alike. As the case of the educational buildings, the texts usually concentrated on the highest value of learning and teaching in Islam, the prestigious position of the professors ‘müderris’ and the texts that encourage the students to learn.

Content

The epigraphic content is the most important data to study the history of any building, and its historic context. Analyzing the content of the inscriptions is a most popular approach in epigraphic studies. The content of the epigraphic material of the buildings could be studied in many ways. Considering the extant inscriptions of the Ottoman buildings in Greece, there are six different approaches available to present the content of those inscriptions as follows:

1) Foundation/restoration (or dedicatory) inscriptions

2) Religious inscriptions

a. Qur’anic inscriptions

b. Non-Qur’anic inscriptions

3) Endowment text

4) Funerary text

5) Signatures

6) Graffiti

The above groups are not exclusive but often overlap, as the case of a foundation inscription which may also contain a qur’anic quotation and/or the signature of a craftsman.

All previous studies almost tackled only the foundation/ restoration inscriptions, following the traditional western approach that focuses on historic inscriptions underscores the history of the building and its patron(s). This approach slights religious inscriptions, though the latter form the biggest group of inscriptions, 350, existed in Greece. These 350 religious inscriptions can shed light on the meaning and function of the building; even most religious inscriptions are repeated in stereotyped formulas.

There is only one example belong to each category of endowment and funerary inscriptions. The endowment inscription is placed on the wall of Mahmoud Ağa Mosque (Figure 6) which also known as ‘Yenice Mahalle Camii’, while the funerary one is found inside the mosque of Karaca Ahmed (Figure 7) which built in 1450 and renewed in 1950 in the village of Shaheen in Xanthi.

Figure 6: An endowment “Waqffiye” inscription of Mahmud Agha Mosque at Komotini (@ Ahmed Ameen 2008).

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Signature inscriptions come in both cases:

a) as a single inscription as the case of the Yeni Mosque at Thessaloniki (Figure 8), of the Italian architect Vitaliano Poselli [4], and

b) included in a foundation inscription with two distinguished examples.

The first is the subordinate Arabic foundation inscription of Sultan Mehmed Çelebi Mosque at Didymoteicho, providing the name of the famous Turkish Architect Haci İwaz “ ʿawaḍ” (Figure 9) [5]. The second is the Greek inscription of the Sultan Abdülhamid II çeşme (1301/1884) in Kalami village at Chania, Crete. It provides the name of its Greek architect Georgaraki (Figure 10) [4].

Figure 7: A funerary inscription inside the mosque of Karaca Ahmed in the village of Shaheen in Xanthi (@ Ahmed Ameen 2008).

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Figure 8: A signature inscriptions of the architect of the Yeni Mosque at Thessaloniki (@ Ahmed Ameen 2009).

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Figure 9: the second Arabic foundation inscription of Sultan Mehmed Çelebi Mosque at Didymoteicho (@ Ahmed Ameen 2009).

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Figure 10: Both Ottoman and Greek inscriptions of the Sultan Abdülhamid II çeşme of the Kalami village at Chania (@ Ahmed Ameen 2016).

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Graffiti inscriptions are incised handwritings on stone or marble that adorned many Ottoman buildings throughout Greece. They are represent the travellers’ writings and express one’s impressions and thoughts. Graffiti inscriptions come usually on the frames of the doors and windows of the buildings as the case of Fethiye Mosque at Athens, and Ishak Paşa Mosque at Thessaloniki and Ibrahim Pasha Mosque in Rhodes, and sometimes on the shafts of the colmuns of the portico as the case of Arslan Pasha Mosque at Ioannina and Sultan Süleyman Mosque in Rhodes.

Graffiti inscripions repesnet usually religious writings comprising qur’anic quotations, hadith or sayings of the Prophet Muhammad, invocations, poems, and may also recorded the name and/or the nickname of the scriber and sometime scribed a date. Graffiti inscriptions sometime are very useful and in some cases it helps to date the structure on which they are found as the case of the Fethiye Mosque at Athens [9].

Patron(s) and Craftsman

One of the most specific approaches in studying inscriptions is the patron(s) either as a person, family, position or rank, sex; to whom such inscriptions are belong. Thus we found studies entitled the inscriptions of the Sultan(s), women, architect, calligrapher, etc.

The inscriptions of the Ottoman buildings in Greece, as far as concerned, represent various patrons including Ottoman sultans themselves (Bayezid I, Mehmed Çelebi, Murad II, Bayezid II, Süleyman the Magnificent, Mustafa III and Sultan Abdülhamid II), the high ranking class (Includes the Sultans’ relatives, the Grand Vezirs, Vezirs and commanders, such as Mehmed Bey Mosque at Serres, a foundation of son of Grand Vezir Ahmad Paşa and husband of Princess Selçuk Hatun, daughter of Sultan Bayazid II) [10]. Also there are some inscriptions provides the women as patrons of Ottoman architecture, and in some cases buildings were built by husbands dedicated to their wives as the case of many fountains.

The studied inscriptions present a shifting in the patronage of the construction of mosques and medreses replacing single funded patronage of the Sultans or grand commanders or officials or wealthy individuals with the Muslim community i.e. the Muslims of a district or a village as a patron of building mosques as in the Ierapetra Mosque [11] at Crete, and the Alankuyu Mosque and the Kir Mahalle Medrese at Komotini.

Noteworthy, that wealthy Christian Greeks has also participated in constructing secular welfare buildings in late ottoman period, as the case of the Clock-tower of Naousa ‘Ağustos’ which was built by industrialist George Anastasiou Kergi in 1895 as cited in its still extant bilingual inscription (Figure 11) [4].

Figure 11: The bilingual foundation inscription of the Clock-tower of Naousa (@ https://odosell.blogspot.com/2014/04/ blog-post_9961.html [Accessed on 25 June 2018]).

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Stylistic Features

Figure 12: A Kufic inscription above the lateral niche eastern the main entrance of Sultan Mehmed Çelebi Mosque at Didymoteicho (@ Ahmed Ameen 2008).

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Studying the inscriptions of the Ottoman buildings in Greece in terms of style tackles their visual characteristics. Thus, it deals with the placement, height, dimensions, material on which is executed, colors, the shape of inscription as a whole, the way that the inscription is divided in, the shape of the letters and methods of execution of the inscriptions. The inscriptions of the Ottoman buildings in Greece, as far as concerned, still in lack of such this study.

It is worth noting that each one of the aforementioned items of stylistic features may be used as a clue of dating other comparable undated inscriptions. The monumental inscriptions of Sultan Mehmed Çelebi Mosque at Didymoteicho represent a very interesting example of early Ottoman inscriptions. They are executed in thuluth and Kufic (Figure 12) scripts; characterizing the transitional stage of execution the monumental inscriptions in early Ottoman period. The majority of the inscriptions of the Ottoman buildings in Greece are executed in thuluth script (jali; Turkish celi).

Region

Studying Islamic inscriptions on a geographical basis, by country, region, island or city, is a typical approach. Since the geographically norm is the standard way of documenting of inscriptions; it is also adopted here in the suggested cataloguing method for the inscriptions of the Ottoman buildings in Greece.

Figure 13: A map shows the regional units of Greece (@ https://en.wikipedia.org/wiki/Geographic_regions_of_Greece [Accessed on 16 June 2019]) [12].

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Administratively, there are thirteen regional units (prefectures or peripheries) form the present-day Greece (Figure 13), comprising:

1) Attica.

2) Central Greece.

3) Central Macedonia.

4) Crete.

5) Eastern Macedonia and Thrace.

6) Epirus.

7) Ionian Islands.

8) North Aegean.

9) Peloponnese.

10) South Aegean.

11) Thessaly.

12) Western Greece.

13) Western Macedonia.

Considering the extant inscriptions of the Ottoman buildings in Greece, the focus of this research, we can divide the Greek territories geographically into five main groups (Table 1, 2; Charts 1, 2):

Table 1: Geographical proportion of inscriptions of Ottoman buildings in Greece considering their content (@ Ahmed Ameen 2019).

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Chart 1: Geographical proportion of inscriptions of Ottoman buildings in Greece considering their content (@ Ahmed Ameen 2019).

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Table 2: Geographical proportion of inscriptions of Ottoman buildings in Greece considering their function (@ Ahmed Ameen 2019).

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Chart 2: Geographical proportion of inscriptions of Ottoman buildings in Greece considering their function (@ Ahmed Ameen 2019).

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1) Thrace.

2) Macedonia.

3) Aegean Islands.

4) Crete.

5) Epirus, Thessaly, Central Greece, Attica and Peloponnese.

And there are no extant Ottoman inscriptions in Ionian Islands.

Analyzing the statistics of the inscriptions of Ottoman buildings in Greece geographically concludes that the numbers of the extant inscriptions correspond to those of the surviving ottoman architectural heritage in the same regions. The largest amount of surviving Ottoman inscriptions is found in the Aegean Islands (224 inscriptions), Thrace (211 inscriptions), Crete (101 inscriptions), Macedonia (70 inscriptions), and finally the last group (78 inscriptions) in Epirus, Thessaly, Central Greece, Attica and Peloponnese.

The highest number of surviving Ottoman inscriptions in the Aegean Islands and Crete is obviously thanks to the large number of well-maintained fountains ‘çeşme’. Thus the highest number of foundation and short foundation inscriptions is found in the Aegean Islands and Crete. But the largest amount of religious inscriptions, including both qur’anic and non- qur’anic, are found in Thrace; in which the largest amount of Mosques that still function, where the Greek Muslim minority live. Thus, the regions that still have Muslim minorities in Greece and those located near present-day Turkey have the highest numbers of existing Ottoman inscriptions. Neighbourly relationships and consequent economic relations played a role in preserving the Ottoman architectural heritage including inscriptions in these regions. The limited number of existing Ottoman inscriptions in Central Greece, Peloponnese and Thessaly is due to the liberation of these regions being earlier than those of other Greek regions, as well as their early revolutionary wars against the Ottomans. There is an inverse geographical relationship between the cultural aversion against ‘Turkish’ objects and the number of existing Ottoman inscriptions. This number is decreased from East to West.

The city of Ioannina ‘Yanya’ is an exception in Epirus, northwestern Greece, with a remarkable and well preserved surviving Ottoman epigraphic heritage. This obviously reflects Ioannina’s own historical contexts, which were different from other Greek regions either during the Ottoman rule or after the incorporation into the Greek State in 1913.

A Suggested Methodology in Cataloguing the Corpus of Inscriptions

Inscriptions of the Ottoman buildings in Greece, in our projected corpus, will be catalogued following the aforementioned regional approach, dealing with each structure separately. It provides, as possible, for each given inscription a recent photo(s), the deciphering, an English translation, and a commentary concluding with a list of its significant literature.

Since it is not possible to tackle with each one among the 684 surveyed inscriptions in a detailed study; thus it basically catalogues the raw material and makes it available for scholarly community. A group of inscriptions were erased, as many fountains in Lesvos and the Clock tower of Preveza, or covered with later inscriptions as the inscription above the door of left room of Ghazi Evrenos Imaret at Komotini, or damaged as the foundation inscription of the Ottoman Medrese at Athens, and some inscriptions of the Ierapetra Mosque. These inscriptions require using advanced technological tools and materials of cleaning and photographing to be readable. These tools are not available to me; thus such inscriptions will included without full or partially deciphering, or English translation.

This paper suggests a new codification for the inscriptions of the Ottoman buildings in Greece; facilitating the upcoming research and digitizing these inscriptions. Each inscription will acquire this new codification ID. This ID will refer to the analysing of the inscription as the following example “0001Did01Ar”; hence this ID is composed of four parts as shown in the next table: (Table 3)

Table 3.

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So that, the first four-digits number refers to a serial number consequence in the whole corpus of Ottoman buildings inscriptions in Greece, then a three-letters abbreviation referring the main regional unit (city) where the inscription belongs, thereafter a twodigits number states the number of this inscription among those of the same regional unit, and finally the abbreviation of the main language of the inscription, whereas the A=Arabic, O=Ottoman, P=Persian, G=Greek, I=Italian, F=French, TR=Modern Turkish, B=Bilingual, and T=Trilingual. This code will be mentioned as a Corpus ID.

So, each given inscription in this estimated corpus will be catalogued, as possible, through eight main items comprising: 1) Corpus ID: Caption of the inscription, 2) Regional Unit Name, 3) Basic Data, 4) Photo(s), 5) Reading “Text,” 6) Translation(s), 7) Commentary and 8) Bibliography as shown in the following example: Inscription (X)

Corpus ID: Caption of the inscription

Is the codification ID of the inscription –as noted earlier in this paper-followed by a caption describes the inscription. e.g. 0001Did01A: Main foundation inscription of Sultan Mehmed Çelebi Mosque at Didymoteicho

I. Regional Unit Name

This item states the first-level administrative entity with the corresponded ottoman names, to which the inscription belongs, then the second-level unit, afterward the location/Site of the inscription and its current condition.

This summary table provides the basic data of the inscription including: column 1: the type of the building, column 2: indicates the type of the inscription, column 3: divided into three subcolumns, provides the date in the three calendars cited in ottoman inscriptions; the Rumi date characterizes late Ottoman inscriptions, and will be stated only if cited in the given inscription, then column 4: shows the material on which was the inscription executed, and column 5: shows its language as explained in the corpus ID.

Table 4.

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III. Photo(s)

Recent photo(s) if available is provided, either a reproduction of an old photo. For those mentioned by Evliya Çelebi but disappeared now, and there is no preserved old photo, will give the related parts of his manuscript.

IV. Deciphering “Text”

The text of the inscription is reproduced as original in its own language. If it is previously published, I will only refer to the related reference.

V. Translation(s)

As possible, English translation of the inscription is provided, but if it is previously published in whichever language, we will just refer to the corresponded reference.

VI. Commentary

Commentary comprises remarks, if required, on the building to which the inscription belongs, the content of the inscription and the previous significant studies.

VII. Bibliography

In bibliography citing where the inscription was previously published, described and/or studied.

Conclusion

The immense amount of the surviving inscriptions of the ottoman buildings in Greece which are not known to most scholars in Islamic epigraphy is the main motive of writing this article. These inscriptions comprise a rich material to study the Ottoman heritage in Greece over almost five centuries. The 684 inscriptions surveyed in this paper and analysed in quantitative method show their exceptional value taking into account their language and content. These inscriptions belong to 343 Ottoman buildings allover Greece and compose 1788 different texts. This paper is a part of a postdoctoral research on the same topic will be published soon as a corpus of Islamic inscriptions in Greece.

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Thursday, 11 November 2021

Lupine Publishers | The works of Prince Qusun the Royal Waterer of Nazareth Architectural and Artistic City of Cairo

 Lupine Publishers | Journal of Anthropological and Archaeological Sciences


Editorial

Prince Qusun, one of the most important Mamluks of Sultan al-Nasir Muhammad ibn Qalawun, had come to Egypt as part of a delegation from Barakad in Bukhara «the land of the Mongol Khan between India, China and Russia» accompanied by Khond Khond, the sister of Uzbeq Khan, who was married to al-Nasir Muhammad ibn Qalawun in 1320 AD. With him goods from his country worth 500 dirhams and went around the markets of Cairo to sell his goods, has been seen by King Sultan Nasser asked him Vdlh one of the custody of the Royal Stable, and admired the Sultan Nasser bought it was beautiful, and the Sultan loved him and annexed to the Mamluks and over the days made him a leader of a hundred The soldiers reached the highest rank in the Royal Palace was At the age of eighteen years, he brought his brothers and relatives, from the land of Bukhari, then the Sultan’s wife, his daughter, and married his sister, and with the expiry of the Nasser, made him guardian of his children, in the year 1327.

When King Nasser felt that in the latter tendency, he asked Qusun to be the guardian of the throne and supervisor of his son, who chose him to the king after him, and Sultan Al-Nasser died in 741 Hijra, reassured that Qusun will return him beautiful, but Prince Qusun had a different opinion on Mansour Saif al-Din After three months after the death of his father, Abu Bakr sent him to prison and brought his younger brother and called him a successor to Mansour Saifuddin was named Ashraf Alaeddin Kajk, and the Egyptians His Highness Alaeddin small, and Qusun began to rule the country with all force and oppression, and the Mamluk princes revolted and arrested him in 1342 AD The rule of Sultan Ahmed bin Nasser conspired by senior princes envy and capture Les prison where he died in Alexandria.

It has the remaining architecture in Cairo, the mosque, the agency, the palace, the dome and the minaret.

Collector

The Qusun Mosque (known as Qaysun) is located on Muhammad Ali Street near the new Helmiyya area, specifically at the court of the court near Mughrabilin.It was built by the great Emir Saif al-Din Qusun al-Saqi al-Nasiri in 730 AH-1330 AD, and was opened for prayer by Sultan al-Nasir Muhammad ibn Qalawun.

It was next to the mosque lane Almsamda of its western part is a large house known as “Prince Agus Namila” and then known as “Prince Jamal al-Din fighting seven Mosul” Prince Qusun took and demolished and took over the construction of this mosque on 21 Ramadan 730 AH.

The mosque was renovated, and its courtyard was rebuilt in 1893 during the reign of Khedive Abbas Hilmi II, and the present courtyard is covered with a wooden dome. Ali Mubarak said in the plans that a large part of Qusun Mosque was taken at the opening of Mohammed Ali Street, including the waterwheel and the minaret. Ali Mubarak laid down the plan to renovate the mosque and rebuild what was destroyed when he was minister of endowments, and the renovation was not completed until 1893.

The remains of the minaret disappeared with the expansion of Muhammad Ali Street in 1873, where the Ministry of Awqaf reconstructed its building in 1893 under the supervision of Ali Pasha Mubarak, as well as the remains of the mosque artifacts that used to illuminate the mosque, the Islamic Museum retains a brass openwork, composed of polygonal shape It has 12 ribs and four layers of rows of candles. The remains of the original mosque Qusun only the northern door and many stucco windows, decorations and writings that record the date of construction of the mosque and the name of the originator, and on the left shoulder the door sundial on the name of its maker Ahmed Hariri and the date of manufacture (1383).

On the northern door overlooking the Saroujia Street, which is built with stone and followed by colored marble, it reads:

“Order to establish this blessed mosque with the generosity of the Almighty slave to God Almighty Qusun of the Royal Nazareth Waterer in the days of Mawlana Sultan, King Nasser, dearest supporters in the year thirty and seven hundred”

This phrase was written on the door.

The palace

This palace is located near Salah al-Din Square, in Manakh Waqf Street, off Sultan Hassan Street in the Caliph district, constructed by Prince Saif al-Din Qusun in 1238 AD and renovated by Prince Yashbak bin Mahdi in 1475 during the days of Sultan al- Ashraf Qaytbay in the Mamluk era. The name of Sultan al-Nasir Muhammad ibn Qala’un and the name of the prince is intertwined at the entrance to the main door, and most of the remaining parts of his era are now intertwined. A member of the government of Sultan al-Ashraf Qaytbay, he was known to Nation Bhouc «Brdq» distortion for «Ocyprda».

It is known historically that the basis of the Palace of Qusun «Stable», and has two doors, a door from the street next to the cow, and the other door towards the door of the chain that leads to the Royal Stable and the castle of the mountain, was established by Prince Alamuddin Singer Jamakdar, and took him from Prince Seif Eddin Qusun and spent him Its price is from the house of money.

Historical sources mention that the palace was characterized by exquisite decorations, roofs decorated with gold water, marble fountain in the middle, and marble floor, which testifies to the beauty of Islamic architecture during the Mamluk period, and the door of the main palace, and was located in the northwest facade crowned by a city contract decorated with colored marble, It also has decorations carved on the stone, and includes a founding painting in the name of Sultan al-Nasir Muhammad ibn Qalawun, as well as the name of the makers of the palace, Mohammed bin Ahmed, and Ahmed Zaalash Shami. The basement of the palace is used as stables and warehouses, while a magnificent reception hall is topped by these stores.

Agency

Located in Bab El-Nasr Street in aesthetic. Established by Prince Seif Eddine Qusoun Al-Saki Al-Nasiri in 1341, leaving only the entrance, which is a stone with a closed door opening with a huge wooden shutter free of decorations. This blessed Khan established the high Ashrafiye residence of Qusun, the royal sage of Nazareth, Adam Allah Azza.

The entrance is made of granite and is moved from an Egyptian temple containing Egyptian inscriptions to be the largest movable granite piece containing Egyptian inscriptions in Islamic architecture in Cairo.

The dome and minaret

Al-Maqrizi mentioned it in his plans. It was destroyed, leaving only the dome and the large or central lighthouse west of the shrine of Sheikh Jalal al-Din al-Suyuti outside the door of the Qarafa in the caliph. The dome is one of the most important domes of the Mamluk style domes. Or polygonal cupolas.

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Thursday, 23 September 2021

Lupine Publishers | Antidialectics: Vodou and The Haitian Revolution in Opposition to The African American Civil Rights Movement

 Lupine Publishers | Journal of Anthropological and Archaeological Sciences


Abstract

This work, using a structurationist approach to consciousness constitution, focuses on how and why the purposive - rationality of the originating moments of the Haitian Revolution and Vodou diametrically opposes that of the African American Civil Rights movement and the desires of the Affranchis of Haiti. The author concludes that the antidialectical intent of the originating moments of the Haitian Revolution at Bwa Kayiman (Bois Caiman) was not for equality of opportunity, distribution, and recognition with whites by reproducing their norms and structure, as in the case of the African American civil rights movement under the purposiverationality of liberal bourgeois black Protestant men. Instead, it was a clarion call, which emerges out of Vilokan/Haitian Idealism, for the reconstitution of a new world order or structuring structure “enframed” by an African linguistic and spiritual community, Vodou and kreyol, respectively, grounded in, and “enframing,” liberty and fraternity among blacks or death. In fact, the author posits that it is the infusion of the former worldview, liberal bourgeois Protestantism via the Protestant Ethic and the spirit of capitalism, on the island by the mulatto elites and petit-bourgeois free persons of color, Affranchis, looking to Canada, France, and America for equality of opportunity, distribution, and recognition that not only threatens Haiti and its practical consciousnesses, Vodou and Kreyol, contemporarily, but all life and civilizations on earth because of its economic growth and accumulative logic within the finite space and resources of the earth.

Keywords: African-Americanization; phenomenological structuralism; Vodou; Religiosity; Black Diaspora; Dialectical; Antidialectical; Haitian Epistemology; Vilokan/Haitian Idealism

Introduction

The dialectical integration of black Americans into the Protestant Ethic and the spirit of capitalism of the West via slavery, the African American civil rights movement, and globalization marks the end of black American history as a distinct African worldview manifesting itself onto the world. A black/African practical consciousness as represented in Haitian Vodou and Kreyol, for example, manifesting itself in praxis and the annals of history via the nation-state of Ayiti/ Haiti is slowly being supplanted by a universal Protestant Ethic and the spirit of capitalism phenotypically dressed in multiethnic, multiracial, and multisexual skins speaking for the world. This latter worldview has not only erased a distinct African practical consciousness among black Americans, but via the African- Americanization of the black diaspora in globalization through the hip-hop culture of the black American underclass, on the one hand, and the prosperity gospel of the black American church and bourgeoisie on the other is seeking to do the same among blacks globally in the diaspora while simultaneously destroying all life on earth [1]. This work focuses on how and why the purposiverationality, antidialectics, of the originating moments of the Haitian Revolution and Vodou diametrically opposes that of the African American Civil Rights movement. The author concludes that the intent of the originating moments of the Haitian Revolution at Bwa Kayiman (Bois Caiman) was not for equality of opportunity, distribution, and recognition with whites by reproducing their norms and structure, as in the case of the African American civil rights movement under the purposive-rationality of liberal bourgeois black Protestant men, but for the reconstitution of a new world order or structuring structure (libertarian communism) “enframed” by an African linguistic and spiritual community, Vodou and kreyol, respectively, grounded in, and “enframing,” liberty and fraternity among blacks or death. In fact, the author posits that it is the infusion of the former worldview, liberal bourgeois Protestantism via the Protestant Ethic and the spirit of capitalism, on the island by the mulatto elites and petit-bourgeois free persons of color, Affranchis, looking to Canada, France, and America for equality of opportunity, distribution, and recognition that not only threatens Haiti and its practical consciousnesses, Vodou and Kreyol, contemporarily, but all life and civilizations on earth because of its dialectical economic growth and accumulative logic within the finite space and resources of the earth.

Background of the problem

Traditional interpretations of the Haitian Revolution and the black American Civil Rights movement of the 1960s attempt to understand the two sociohistorical phenomena within the dialectical logic of Hegel’s master/slave dialectic [2-4]. Concluding that both events represent a dialectical struggle by the enslaved Africans, who have internalized the rules of their masters, for equality of opportunity, recognition, and distribution within and using the metaphysical discourse of their former white masters to convict them of not identifying with their norms, rules, and values as recursively organized and reproduced by blacks. This traditional liberal bourgeois interpretation of the Haitian revolution attempts to understand its denouement through the sociopolitical effects of the French Revolution when the National Constituent Assembly (Assemblée Nationale Constituante) of France passed la Déclaration des droits de l’homme et du citoyen or the Declaration of the Rights of Man and Citizen in August of 1789. The understanding from this perspective is that the slaves, many of whom could not read or write French, understood the principles, philosophical and political principles of the Age of Enlightenment, set forth in the declaration and therefore yearned to be like their white masters, i.e., freemen seeking liberty, equality, and fraternity, the rallying cry of the French Revolution [4-16].

Although, historically this understanding holds true for the mulattoes and free petit-bourgeois blacks or Affranchis who used the language of the declaration to push forth their efforts to gain liberty, equality, fraternity with their white counterparts as slaveholders and masters as brilliantly highlighted by Laurent Du Bois [3]. This position, I posit here, is not an accurate representation for the Africans who met at Bois Caïman, the originating moments of the Haitian Revolution. The Affranchis, embodied in the person of Toussaint Louverture, for example, like their black American middle class counterparts, dialectically pushed for liberty, equality, and fraternity with their white counterparts at the expense of the Vodou discourse and Kreyol language of the pep, the majority of the enslaved Africans who were not only discriminated against by whites but by the mulattoes and free blacks as well who sought to reproduce the French language, culture, religion, and laws of their former slavemasters on the island [5]. Toussaint believed that the technical and governing skills of the Blancs (whites) and Affranchis would be sorely needed to rebuild the country, along the lines of white civilization, after the revolution and the end of white rule on the island. In fact, Toussaint was not seeking to make Haiti an independent country; but sought to have the island remain a French plantation colony, like Martinique and Guadeloupe, without slavery [3]. Although Dessalines’s nationalistic position, which was similar to Toussaint’s, would become dominant after the capture of Toussaint in 1802, his (Dessalines’s) assassination by a plot between the mulatto, Alexandre Pétion, and Henri Christophe, would see to it that the Affranchis’s purposive-rationality would come to historically represent the ideals of the Haitian quest for independence. This purposive-rationality of the Affranchis, to adopt the ontological and epistemological positions of whites by recursively organizing and reproducing their language and ways of being-in-the-world is, however, a Western liberal dialectical understanding of the events and their desire to be like their white counterparts, which stands against the anti-dialectical purposive rationality, which emerged out of the African/Haitian Epistemology, Vilokan/Haitian Idealism, of Boukman Dutty, Cecile Fatiman, the rest of the maroon Africans who congregated for the Petwo Vodou ceremony at Bois Caïman/ Bwa Kayiman. The difference between what the Africans at Bois Caïman wanted and the aspirations of the mulattoes or Affranchis can be summed up through a parallel or complimentary analysis of the dialectical master/slave relationship of the black American experience with their white masters in America [17-31].

Using a structurationist approach to practical consciousness constitution, what Paul C Mocombe [6] calls phenomenological structuralism, this work compares and contrasts the purposive rationality of the black American civil rights movement with that of the originating moments of the ceremony of Bois Caiman. In keeping with the tenets of phenomenological structuralism, the emphasis is on the ideals of structures that social actors internalize and recursively organize and reproduce as their praxis in the material world. In this case, the argument is that two distinct forms of system and social integration would characterize black American and Haitian life, which made their approaches to slavery and colonialism totally distinct: dialectical on the one hand; and antidialectical on the other [31-48].

Theory and Method

Beginning in the sixteenth century, Africans were introduced into the emerging global Protestant capitalist world social structure as slaves. Given their economic material conditions, their African practical consciousnesses, i.e., bodies, languages, ideologies, etc., were dialectically represented by European whites as primitive forms of being-in-the-world to that of the dominant white Protestant bourgeois social order with the ever-declining significance of Catholicism following the Protestant Reformation [7]. From this sociohistorical perspective, under the “contradictory principles of marginality and integration” [7] the majority of African consciousness in America especially was reshaped as a “racial classin- itself” (blacks), a “caste in class,” forced to embody the structural terms (bourgeois ideals in the guise of the protestant ethic) of the dominant global (capitalist) social relations of production, over all other “alternative” African adaptive responses to its then organizational form, slavery [48-64].

This embodiment or internalization of bourgeois ideals, in the guise of the Protestant Ethic, by the majority of Africans in America amidst their poor material conditions created by the social relations of Protestant capitalist organization, in keeping with traditional readings of the black American struggle for freedom, eventually made the struggle to obtain equality of opportunity, distribution, and recognition with their white Protestant bourgeois counterparts amidst racial and class discrimination their goal. This goal, brilliantly captured by W.E.B. Du Bois in his work The Souls of Black Folk, progressively crept into their African based spiritualism, which dialectically subsequently became synthesized with the Protestant Ethic of the global capitalist Protestant social structure leading to the ever-increasing materialization of black American faiths and practical consciousness along the lines of their former white slave masters. Hence, the subsequent aim of the majority of black Americans, as embodied in the black American civil rights movement, became a movement for equality of opportunity, distribution, and recognition led by liberal black Protestant bourgeois male preachers (hybrid simulacrum of their white colonizers) like Martin Luther King Jr. against alternative responses to enslavement by convicting the society of not identifying with their norms and values, which black Americans embodied and recursively organized and reproduced in their practices [8].

Conversely, the Haitian Revolution as initiated on August 14th, 1791 at Bois Caïman by Boukman Dutty and Mambo Cecile Fatiman was led by various representatives of African nations seeking to recursively reorganize and reproduce their African practicalconsciousness/ thesis, the Vodou Ethic and the spirit of communism, which emerges out of their African ontology and epistemology, Vilokan/Haitian Idealism, in the world against the bourgeois liberalism of whites and the mulatto or Affranchis class of Haiti, who would subsequently, with the assassination of the houngan, Vodou priest, Jean-Jacques Dessalines in 1806, undermine that attempt for a more liberal purposive-rationale, similar to that of the black American civil-rights movement, that would reintroduce wage-slavery and peonage on the island [64-70].

Haitians celebrate Bois Caïman as the beginning of the Haitian Revolution in August of 1791. At Bois Caïman/Bwa Kay Iman (near Boukman’s house), the Jamaican-born houngan, Vodou priest, Boukman Dutty, initiated the Haitian Revolution on August 14, 1791 when he presided over a Petwo Vodou ceremony in Kreyol in the area, which is located in the mountainous Northern corridors of the island. Accompanied by a woman, the mambo Vodou priestess Cecile Fatiman, taken by the spirits of the lwa/loas, Ezili Danto/ Erzulie Danthor, they cut the throat of a black pig and had all the participants in attendance drink the blood. According to Haitian traditions, Boukman and the participants, via Boukman’s prayer, swore two things to the lwa Ezili Danto, the Goddess of the Haitian nation, present in Fatiman if she would grant them success in their quest for liberty against the French. First, they would never allow for inequality on the island; second, they would serve bondye/ Gran-Met (their good god) and its 401 manifestations, lwaes of Vodou and not the white man’s god “which inspires him with crime:”

Bon Dje ki fè la tè. Ki fè soley ki klere nou enro. Bon Dje ki soulve lanmè. Ki fè gronde loray. Bon Dje nou ki gen zorey pou tande. Ou ki kache nan niaj. Kap gade nou kote ou ye la. Ou we tout sa blan fè nou sibi. Dje blan yo mande krim. Bon Dje ki nan nou an vle byen fè. Bon Dje nou an ki si bon, ki si jis, li ordone vanjans. Se li kap kondui branou pou nou ranpote la viktwa. Se li kap ba nou asistans. Nou tout fet pou nou jete potre dje Blan yo ki swaf dlo lan zye. Koute vwa la libète k ap chante lan kè nou.

The god who created the sun which gives us light, who rouses the waves and rules the storm, though hidden in the clouds, he watches us. He sees all that the white man does. The god of the white man inspires him with crime, but our god calls upon us to do good works. Our god who is good to us orders us to revenge our wrongs. He will direct our arms and aid us. Throw away the symbol of the god of the whites who has so often caused us to weep, and listen to the voice of liberty, which speaks in the hearts of us all [71-75].

That night the slaves revolted first at Gallifet Plantation, then across the Northern Plains. Toussaint Louverture and Jean-Jacques Dessalines would join the rebellion after Boukman was captured and beheaded by the French. And as the proverbial saying goes, the rest is history. Under Jean-Jacques Dessalines, who crowned himself emperor for life, Haiti became the first free black nation-state in the world in 1804, the only successful slave rebellion in recorded history, the first democratic nation, and the second republic after the United States of America in the Western Hemisphere [75-79].

The centering of Vodou and Kreyol are the divergent paths against slavery and liberal bourgeois Protestantism that sets the originating moments of the Haitian Revolution apart, as a distinct phenomenon, from the desires and purposive-rationale of an elite liberal hybrid group, the mulatto elite and black petit-bourgeois class or Affranchis in Haiti and liberal black Protestant bourgeois male preachers of America, seeking to serve as the bearers of ideological and linguistic domination for the black masses in both countries by recursively (re) organizing and reproducing the agential moments of their former colonizers within the logical constraints of Hegel’s master/slave dialectic. To only highlight the latter, liberal bourgeois Protestant initiative, over the former, originating moments of the Haitian revolution, under the purview of a Hegelian master/slave universal dialectic, as so many theorists, including the work, Black Jacobins, of CLR James, and Susan Buck- Morss’s [4], Hegel, Haiti, and Universal History, is to deny the existence of the African practical-consciousness, Haitian Idealism as expressed through the Vodou Ethic and the spirit of communism, that has been seeking to institute its practical consciousness in the world since the beginning of the slave trade in favor of the liberal bourgeois Protestantism of whites and the mulatto and black petitbourgeois elites who have yet to be able to stamp out, as was done to the black American, the African linguistic system, Kreyol, and practical-consciousness, Vodou, of the Haitian masses, by which Haiti’s provinces have been constituted [79-90].

Discussion

As in the case of CLR James’s work, Black Jacobins, Susan Buck Morss [4] in her work, Hegel, Haiti, and Universal History attempts to understand the originating moments of the Haitian Revolution metaphorically through Hegel’s master/slave dialectic. Suggesting, in fact, that it is the case of Haiti that Hegel utilized to constitute the metaphor:

Given the facility with which this dialectic of lordship and bondage lends itself to such a reading, one wonders why the topic Hegel and Haiti has for so long been ignored. Not only have Hegel scholars failed to answer this question; they have failed, for the past two hundred years, even to ask it (2009, p. 56).

My position here is that James’s and Morss’s conclusions do not hold true for the Africans who met at Bois Caïman, and only holds true for the case of the Affranchis of Haiti-who usurped, following their assassination of Dessalines, the originating moments of the Revolution from the Africans who met at Bois Caïman-and the black Americans who, in choosing to rebel against their former masters, were not risking death to avoid subjugation, but in rebelling were choosing life in order to be like the master and subjugate.

In Hegel’s master/slave dialectic as Morss explains,

Hegel understands the position of the master in both political and economic terms. In the System der Sittlichkeit (1803): “The master is in possession of an overabundance of physical necessities generally, and the other [the slave] in the lack thereof.” At first consideration the master’s situation is “independent, and its essential nature is to be for itself”; whereas “the other,” the slave’s position, “is dependent, and its essence is life or existence for another.” The slave is characterized by the lack of recognition he receives. He is viewed as “a thing”; “thinghood” is the essence of slave consciousness-as it was the essence of his legal status under the Code Noir. But as the dialectic develops, the apparent dominance of the master reverses itself with his awareness that he is in fact totally dependent on the slave. One has only to collectivize the figure of the master in order to see the descriptive pertinence of Hegel’s analysis: the slaveholding class is indeed totally dependent on the institution of slavery for the “overabundance” that constitutes its wealth. This class is thus incapable of being the agent of historical progress without annihilating its own existence. But then the slaves (again, collectivizing the figure) achieve selfconsciousness by demonstrating that they are not things, not objects, but subjects who transform material nature. Hegel’s text becomes obscure and falls silent at this point of realization. But given the historical events that provided the context for The Phenomenology of Mind, the inference is clear. Those who once acquiesced to slavery demonstrate their humanity when they are willing to risk death rather than remain subjugated. The law (the Code Noir!) that acknowledges them merely as “a thing” can no longer be considered binding, although before, according to Hegel, it was the slave himself who was responsible for his lack of freedom by initially choosing life over liberty, mere self-preservation. In The Phenomenology of mind, Hegel insists that freedom cannot be granted to slaves from above. The self-liberation of the slave is required through a “trial by death”: “And it is solely by risking life that freedom is obtained…The individual, who has not staked his life, may, no doubt, be recognized as a Person [the agenda of the abolitionists!]; but he has not attained the truth of his recognition as an independent self-consciousness.” The goal of this liberation, out of slavery, cannot be subjugation of the master in turn, which would be merely to repeat the master’s “existential impasse,” but, rather, elimination of the institution of slavery altogether (53-56).

The Africans at Bois Caïman, given that they were already recursively reproducing their African practical consciousness in the maroon community of Bois Caïman away from the master/slave dialectic of whites neither cared for the master, nor his structuring metaphysics, but instead wanted to be free to exercise their African practical consciousness, which would be precarious, given the possibility of their re-enslavement if captured, by whites and the Affranchis, who also practiced slavery, remained on the island. In essence, the events at Bois Caïman represented an attempt by the Africans to exercise their already determining independent African self-consciousness against the whites and Affranchis’s dependent self-consciousness which sought to repeat the masters’ “existential impasse.” The liberal Affranchis and the black Americans, in other words, who would lead the civil rights movement, wanted, given that their very practical consciousness was determined by their relations to, and yearning to be like, their masters, rebelled in order to themselves be “free” masters and not an “independent self-consciousness.” In essence, the Affranchis, like their black American counterparts, merely rebelled in order to be like their masters, and sought neither to subjugate the master nor eliminate “the institution of slavery altogether,” since their consciousness as slaves was from the onset revealed to them only through the eyes of the master. Hence, the only other consciousness they had, outside of their slave consciousness, “thinghood,” was that of the master, whose position they desired, and that of the African masses whose practical consciousness they abhorred. But Boukman, Fatiman, and the other maroon Africans of Bois Caïman had their abhorred African Consciousness, which to revert to. The Affranchis, like their black American counterparts did not. Be that as it may, whereas the former sought to institute a new historical/universal, Absolute, order onto the material resource framework of Haiti by invoking the aid of their lwaes/loas to assist them in rooting out the whites and their gods, the latter, like their black American counterparts, wanted to maintain the status quo, the master/slave relationship by which their practical consciousness was constituted, in a national position of their own [91-116].

In other words, black Americans subjectified/objectified in the “Protestant Ethic and the spirit of capitalism” of American society were completely subjectified and subjugated on account of race and class position [8,9]. They were subjectified objects, i.e., slaves, things, whose initial practical consciousness prior to their enslavement was used dialectically by the master, by presenting the practical consciousness of the slave as backwards and damned within the metaphysics of the master’s practical consciousness, against the slave to objectify them as a thing. W.E.B Du Bois, for example, relying on the racial and national ideology of the late nineteenth and early twentieth century theoretically, en framed by Hegel’s master/slave dialectic, conceived of the ambivalence that arose in him as a self-conscious thing, as a result of the “class racism” (Étienne Balibar’s term) of American society, as a double consciousness: “two souls,” “two thoughts,” in the Negro whose aim is to merge these two thoughts into one distinct way of being, i.e., to be whole again [117-125].

After the Egyptian and Indian, the Greek and Roman, the Teuton and Mongolian, the Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world, -a world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his twoness, -an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.

The history of the American Negro is the history of this strife, -this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He would not Africanize America, for America has too much to teach the world and Africa. He would not bleach his Negro soul in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face. This, then, is the end of his striving: to be a coworker in the kingdom of culture, to escape both death and isolation, to husband and use his best powers and his latent genius [3].

This double-consciousness resulting from his thingness in relation to the master’s consciousness, Du Bois alludes to, in this famous passage of his work The Souls of Black Folk, is not a metaphor for the racial duality of black American life in America [8,9]. Instead, it speaks to Du Bois’s, as a black liberal bourgeois Protestant man, ambivalence about the society because it prevents him from exercising, not his initial African practical consciousness which is “looked on in amused contempt and pity,” but his true (master) American consciousness because of the society’s antiliberal and discriminatory practices, which made him a thing, i.e., slave. Although over time his “thinghood” forced Du Bois to adopt “pan-African communism” against his early beliefs in liberal bourgeois Protestantism, i.e., his desire to be like the masters, whites. Du Bois, in this passage, like the many black Americans who would share his class position and liberal bourgeois Protestant worldview, does not want an independent self-consciousness that is not the masters since the only other consciousness he is familiar with is that of the slaves, but simply wants to be like the collective dependent masters, whites, “without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.” His later pan-African communist message simply turns this desire, the attempt to be a master, into a desire to constitute the master/slave dialectic in a national position of his own. But contrary to this later “pan-African communist” message against assimilation for a nationalist position of his own, however, to make themselves whole the majority of black Americans of the civil rights movement, especially, did not yearn for or establish (by averting their gaze away from the eye of power or their white masters) a new independent object formation or totality, based on the initial “message” of their people prior to their encounter with the master, which spoke against racial and class stratification and would have produced heterogeneity into the American capitalist bourgeois world-system; instead, since there was no other “message” but that of the society which turned and represented the “original” African message of their people into inarticulate, animalistic backward gibberish, they (blacks) turned their gaze back upon the eye of power (through protest and success in their endeavors) for recognition as “speaking subjects” of the society seeking not to subjugate the master in a national position of their own but for equality of opportunity, distribution, and recognition with their white counterparts. Power hesitantly responded by allowing some of them (the hybrid modern “other” liberal bourgeois Protestant) to partake in the order of things, which gave rise to the black American identity, the liberal black bourgeoisie or hybrids, which delimits the desired agential moments of the social structure for all blacks [8-13].

Thus black American protest as a structurally differentiated “class-in-itself” (subjectified/objectified thing) led by this liberal black bourgeoisie within the American protestant bourgeois master/slave order did not reconstitute American society, but integrated the black subjects, whose ideals and practices (acquired in ideological apparatuses, i.e., schools, law, churches (black and white)), as speaking subjects, were that of the larger society, i.e., the protestant ethic, into its exploitative and oppressive order-an order which promotes a debilitating performance principle actualized through calculating rationality, which may result in economic gain for its own sake for a few predestined individuals. The black American, like the early Du Bois of the Souls prior to his conversion to pan-African communism, in a word, became like their masters within the master/slave dialectic, which constituted their historical experiences.

The same can be said for the Affranchis of Haiti, who sought for equality of opportunity, distribution, and recognition with their blanc counterparts at the expense of the agential initiatives of the Bois Caïman African participants. The Affranchis, like Toussaint, for example, who owned African slaves, rebelled not to eliminate slavery or subjugate the master, but to be a master, like their liberal black American counterparts, through their dialectical claim for equality of opportunity, distribution, and recognition. Their slave status only revealed to them the “other” consciousness in the dialectic, i.e., the master consciousness. Therefore, their desire was not to be slaves, who had no other consciousness to look to but that of the newly arrived Africans and the maroon Africans, but masters who enslaved the other slaves, i.e., the newly arrived Africans and the marooned Africans, who were not like themselves. This desire of Toussaint, for example, to be like the master, however, was not the aim of Jean-Jacques Dessalines, Boukman, Cecile Fatiman, and the other participants at Bois Caïman. The former, Affranchis, like their black American counterpart, wanted equality of opportunity and recognition from, and with, their former white masters by recursively organizing and reproducing their (the slave masters) liberal agential moments; the latter, Boukman, Fatiman, Jean-Jacques Dessalines, and the Africans of Bois Caïman did not, but instead sought to anti-dialectically reify and practice their traditional African ways of life against the purposive-rationality of their former white masters. The slaves at Bois Caïman were already an independent self-consciousness in their maroon communities. They did not share in the “existential impasse” of their masters. The originating Vodou and Kreyol moments of the Revolution was an attempt to get rid of the whites and Affranchis, who desired to be whites, in order that they may recursively organize and reproduce their practical consciousness, not to be like their white masters as Toussaint and the rest of the Affranchis desired. That the Affranchis would come to direct the Revolution after the death of Dessalines October, 17th, 1806, would give rise to their purposive-rationality, their desire for equality of opportunity, distribution, and recognition within the global capitalist social structure, at the expense of the agential moments of Boukman, Fatiman, and the other participants of Bois Caïman who sought to anti-dialectically manifest their selfconsciousness onto the stage of history by evoking the aid of their own Gods to fight against the Gods and metaphysics of the whites and Affranchis who had adopted the purposive-rationality of their white masters [126-133].

Conclusion

Essentially, the Frankfurt school’s “Negative Dialectics” represents the means by which the Du Bois of The Souls, the majority of liberal bourgeois black Americans, and the Affranchis of Haiti confronted their historical situation. The difference between the “negative dialectics” of Du Bois of The Souls, the majority of liberal bourgeois black Americans, the Affranchis, and the discourse or purposive rationality of the enslaved Africans of Bois Caïman is subtle, but the consequences are enormously obvious. For the Frankfurt school, “[t]o proceed dialectically means to think in contradictions, for the sake of the contradiction once experienced in the thing, and against that contradiction. A contradiction in reality, it is a contradiction against reality” (Adorno, 1973 [1966]: 145). This is the ongoing dialectic they call “Negative Dialectics:”

Totality is to be opposed by convicting it of nonidentity with itself-of the nonidentity it denies, according to its own concept. Negative dialectics is thus tied to the supreme categories of identitarian philosophy as its point of departure. Thus, too, it remains false according to identitarian logic: it remains the thing against which it is conceived. It must correct itself in its critical course-a course affecting concepts which in negative dialectics are formally treated as if they came “first” for it, too (Adorno, 1973 [1966]: 147).

This position, as Adorno points out, is problematic in that the identitarian class convicting the totality of which it is apart remains the thing against which it is conceived. As in the case of black Americans and the Affranchis, their “negative dialectics,” their awareness of the contradictions of the heteronomous racial capitalist order did not foster a reconstitution of that order but a request that the order rid itself of a particular contradiction and allow their participation in the order, devoid of that particular contradiction, which prevented them from identifying with the Hegelian totality, i.e., that all men are created equal except the enslaved black American or the mulatto. The end result of this particular protest was in the reconfiguration of society (or the totality) in which those who exercised its reified consciousness, irrespective of skin-color, could partake in its order. In essence, the contradiction, as interpreted by the black Americans, and just the same the Affranchis, was not in the “pure” identity of the heteronomous order, which is reified as reality and existence as such, but in the praxis (as though praxis and structure are distinct) of the individuals, i.e., institutional regulators or power elites, who only allowed the participation of blacks within the order of things because they were “speaking subjects” (i.e., hybrids, who recursively organized and reproduced the agential moments of the social structure) as opposed to “silent natives” (i.e., the enslaved Africans of Bois Caïman). And herein rests the problem with attempting to reestablish an order simply based on what appears to be the contradictory practices of a reified consciousness. For in essence the totality is not “opposed by convicting it of nonidentity with itself-of the nonidentity it denies, according to its own concept,” but on the contrary, the particular is opposed by the constitutive subjects for not exercising its total identity. In the case of liberal black bourgeois America, the totality, American racial capitalist society, was opposed through a particularity, i.e., racism, which stood against their bourgeois identification with the whole. In such a case, the whole remains superior to its particularity, and it functions as such. The same holds true for the Affranchis of Haiti, but not for Boukman, the other participants of Bois Caïman, and Dessalines who went beyond the master/slave dialectic.

In order to go beyond this “mechanical” dichotomy, i.e., whole/part, subject/object, master/slave, universal/particular, society/individual, etc., by which society or more specifically the object formation of modernity up till this point in the human archaeological record has been constituted, so that society can be reconstituted wherein “Being” (Dasein, Martin Heidegger’s term) is nonsubjective and nonobjective, “organic” in the Habermasian sense, it is necessary, as Adorno points out, that the totality (which is not a “thing in itself”) be opposed, not however, as he sees it, “by convicting it of nonidentity with itself” as in the case of black America and the Affranchis or mulattoes, but by identifying it as a nonidentity identity that does not have the “natural right” to dictate identity in an absurd world with no inherent meaning or purpose except those which are constructed, via their bodies, language, ideology, and ideological apparatuses, by social actors operating within a reified sacred metaphysic. This is not what happened in black America or with the Affranchis or mulattoes of Haiti, but I am suggesting that this is what took place with the participants of Bois Caïman within the eighteenth century Enlightenment discourse of the whites and Affranchis.

The liberal black American and the Affranchis by identifying with the totality, which Adorno rightly argues is a result of the “universal rule of forms,” the idea that “a consciousness that feels impotent, that has lost confidence in its ability to change the institutions and their mental images, will reverse the conflict into identification with the aggressor” (Adorno, 1973 [1966], pg. 94), reconciled their double consciousness, i.e., the ambivalence that arises as a result of the conflict between subjectivity and forms (objectivity), by becoming “hybrid” Americans or mulattoes desiring to exercise the “pure” identity of the American and French totality and reject the contempt to which they were and are subject. The contradiction of slavery in the face of equality-the totality not identifying with itself-was seen as a manifestation of individual practices, since subjectively they were part of the totality, and not an absurd way of life inherent in the logic of the totality. Hence, their protest was against the practices of the totality, not the totality itself, since that would mean denouncing the consciousness that made them whole. On the contrary, Boukman, the participants at Bois Caïman, and Dessalines decentered or “convicted” the totality of French modernity not for not identifying with itself, but as an adverse “sacred-profaned” cultural possibility against their own “God-ordained” possibility (alternative object formation), Haitian/ Vilokan Idealism, which they were attempting to exercise in the world. This was the pact the participants of Bois Caïman made with their loas/lwa, Ezili Danto, when they swore to neither allow inequality on the island, nor worship the god’s of the whites “who has so often caused us to weep.” In fact, according to Haitian folklore, the lwa, Ezili Danto, who embodied Faitman, or Mambo Fatiman, descended from the heavens and joined the participants of Bois Caïman when they initially set-off to burn the plantations in 1791, but her tongue was subsequently removed by the other participants so that she would not reveal their secrets should she be captured by the whites. Haiti has never been able to live out this pact the participants of Bois Caïman made to Ezili Danto, given the liberal bourgeois Affranchis’s, backed by their former colonizers, America and France, claims to positions of economic and political power positions, which have resulted in the passage of modern rules and laws grounded in the Protestant Ethic and the spirit of capitalism that have caused the majority of the people to weep in dire poverty as wage-laborers in an American dominated Protestant postindustrial capitalist world-system wherein the African masses are constantly being forced via ideological apparatuses such as Protestant missionary churches, industrial parks, tourism, and athletics, for examples, to adopt the liberal bourgeois Protestant ethos of the Affranchis and the black Americans against the Vodou ideology and its ideological apparatuses.

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